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  • Local Songsmith Shawn Hewitt Makes Heartfelt Impression with Long- Awaited Debut

    Local Songsmith Shawn Hewitt Makes Heartfelt Impression With Long-Awaited Debut

    Friday October 10, 2008



    If there's ever any doubt that Shawn Hewitt is a GTA product, his Jojo Chintoh impression should quickly put it to rest.

    The Scarborough songsmith - whose long-awaited full-length debutfinally dropped in late September - casually launches into the belovedformer CityNews anchor's patented delivery (among others), evenbefore he starts talking about the record he's spent most of his younglife creating.

    Then he gets way into it.

    Spare Hearts is the major label introduction for Hewitt andhis band The National Strike, a group that produces a soulful blend ofindie rock which is quintessentially Toronto in its diversity.

    In fact that seems to be Hewitt: a city boy with a worldly perspective that's reflected in every note of his music.

    And there's certainly been time for reflection.

    Hewitt and The National Strike released a well-received EP in 2005,but fans have been waiting impatiently for more ever since. Still, thesinger says the wait was unavoidable. And valuable.

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    'The album is a touchstone in terms of my growth as an artists and a person,' he told CityNews.ca.

    'It took a long time to go through the peaks and valleys of makingan album. You go through creative slumps, you go through writer'sblock.'

    Fittingly it's the city's own perpetual renewal that pushed him over the top.

    'With this record, I was inspired by architecture and a lot of things that weren't only music,' Hewitt admits.

    'In this city there are amazing things that are being built ... theAGO going through its transformation ... you see how people react tothese wonderful new buildings and you see how they can make an impacton our city.'

    Not that Spare Hearts is merely an album about shiny newstructures. It's a collection of songs that speaks to the growth of atown and its people. Hewitt's music, like the art of many others, isonly what results.

    'In the west end we have a lot of gentrification, in the east endthe same thing, so that whole process of a city renewing itself sort ofinspired me to say, 'hey what would it be like to gentrify mysongwriting process, gentrify me as a person and my heart as well,'' heexplains.

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    And while his music's not overly political, Hewitt's album comes atan interesting time, coinciding with the lead up to a federal electionin which arts funding has emerged as a contentious issue.

    Hewitt refers to a network of Canadian musicians when asked how heand others continue to survive and in some cases even blossom in spiteof it all.

    'What's happening in this country is a lot of anxiety,' heacknowledges. 'We rely on ourselves to really get by, throughout thecuts, throughout everything the industry here still thrives in a lot ofways.'

    One of those ways is through mutual support.

    Hewitt joined forces with Broken Social Scene producer Dave Newfeld on his disc and received tremendous support from Toronto stalwart and good friend K-OS who has helped push him into the spotlight.

    Then there's Montreal outfit The Dears, good friends of Hewitt's who joined forces for a special date at Toronto's intimate Music Gallery Thursday night (pictured).

    In dim church light with a small and captive audience all but silent, Hewitt's already emotional songs were even more moving.

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    And it's connections like those - with fellow musicians andaudiences alike - that lend Hewitt's album its substance. Whether youenjoy the disc or not it's inarguably original Canadian art from anoriginal Canadian artist.

    'I'm a small patchwork in a very big canvass,' Hewitt humbly states.

    'What we have to say in this country is very important and thankfully I'm a small voice in that.'

    Which is what it all comes back to and what it all started from.Even his group's name is a nod to Toronto and the country thatsurrounds it.

    'We thought, 'what name could we use to set the tone for what we want to achieve?''

    '(It's all about) striking across this country and really impacting people with what we can do sonically.'

    Canada will likely have plenty of opportunities to check therecording artist out in person as tour plans are made and carried out.

    In the meantime, Hewitt admits ideas are already brewing for moresongs and videos, hoping the next album won't take another four yearsto create.

    'Thankfully this is just the beginning,' he said, ironically in closing.

    Be sure to check out Spare Hearts if you get the chance and if you ever happen to get Shawn Hewitt alone, make sure you ask him do some impressions.

    To watch CityNews.ca's interview with Shawn Hewitt, click on the video link.

    aaron.miller@citynews.ca

    http://www.citynews.ca/news/features_27795.aspx

  • Shawn Hewitt-Spare Hearts- 4 Star review EYE Weekly

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    Though in Toronto live music circles his name has meant something for almost a half-decade, this is Hewitt’s first full-length (only a 2005 EP preceeds it), and Broken Social Scene producer David Newfeld’s fingerprints are on the soundboard knobs. It’s a hard set to pin down. The two have created a grab-bag musical landscape: arrangements veer from string-augmented rock ballads — indie and M.O.R. — through ’80s R&B to Krautrock. I hear a bit of Earth Wind and Fire singer Philip Bailey in Hewitt’s vocals and, at times, Thom Yorke. Sounds daft, but he really makes it work, wrapping his voice around ambitious lyrics that namedrop Frank Gehry and, on “Keep Them at Bay,” explore the sacrifices a politician makes for his loved ones. Well-executed, oddly compelling and likely a grower.

    SHAWN HEWITT OPENS FOR THE DEARS AT THE MUSIC GALLERY
    (197 JOHN)
    THURS. OCT 9TH
    TORONTO
  • Shawn Hewitt-Spare Hearts- review- Chart Attack

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    Music
    Shawn Hewitt

    Spare Hearts

    EMI

    Cameron Gordon (CHARTattack)

    10/03/2008 4:09pm

    ..

    Shawn Hewitt has spent the last five years toeing the Torontounderground, building buzz without the aid of a full-length album. Hiscarnal blend of indie, art rock and soul has transfixed audiences and Spare Heartsis his attempt to bottle his stage show for listeners at home. Thealbum..'s ambition makes it a bit daunting from the outset as it..'schallenging to pin down any commonalities since Hewitt..'s influences areso diverse. Luckily, the album coalesces with each successive listenand if you can give yourself at least half a dozen run-thorughs, you..'lleventually get a clearer understanding of Hewitt..'s MO. The moodylead-off track ..'Keep Them At Bay..' is perhaps the best indicator, so ifyou..'re looking for a disc to tide you over until the next Radioheadalbum, give Spare Hearts a shot.

    Shawn Hewitt-Spare Hearts- review

    http://www.chartattack.com/reviews/61232/shawn-hewitt


  • Influenza with Shawn Hewitt-Culture Bully

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    Approach Influenza as a series which serves to helpgive insight as to where music is born; these are the thoughts,influences and the inspirations directly from the mind of the artists.This edition spotlights Canadian vocalist Shawn Hewitt and the processof creating his “Keep Them At Bay.” Politically inspired, Hewitt tracksthe song’s journey from concept to an imperfect live offering to itspresent state. The track is from his debut album Spare Hearts, which was released September 30th.

    On “Keep Them At Bay”:

    The song is about politicians and the fight they wage to protecttheir loved ones from being savaged by the spotlight. What I’m talkingabout is that at the time this song was written prominent, politiciansin America were mulling over whether or not they should enter thepresidential race. I began to think about what it must be like goingthrough that process of preparing your loved ones for the insanespotlight of trying to be the leader of a party and a country. Thechorus brings home this whole notion. “No sun no rain have faith in me/I’ll keep them at bay from our love.” Very appropriate right now.

    I began to tinker with this song in early 2006, starting with thepiano and the bass-line. I was always drawn by the way it reminded meof Jorge Ben. Weactually debuted it in New York and it was a mess brcause there was noproper bridge and I was mumbling half written lyrics. It finally cametogether when I became obsessed with the current election cycle in theU.S. The live version of this song is my favourite song we do. Wetrigger the drum sample at the start and the pieces came together quitequickly. The song sets the tone for the record, defining what’s atstake during the journey and what’s most important - fighting for yourheart. - Shawn Hewitt

    Shawn Hewitt “Keep Them At Bay” (mp3)

    http://www.culturebully.com/influenza-with-shawn-hewitt#respond

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